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Raylan runs across her as a stripper in some seedy joint. We all know Raylan’s weakness for women. He will swallow her poor college student working her way through school story. Nobody was able to prove it then. Nobody’s been able to prove it for the last seven years. Other than revisiting seven year old allegations, I don’t think the New York Daily News did anything to prove it today.”.

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“Senator Durbin has it. Senator Perdue does not. Ask anyone who’s dealt with both.”. Food and beverage revenue at the property, known for its restaurants and nightclub offerings, continued to generate the biggest chunk of revenue $70.1 million in the second quarter v. $57.6 million in the first quarter. Previous Discussion: Discussion 4 comments Only trusted comments are displayed on this page.

A tough one to take, he said. Then again, I had a very, very rough year and a half, and it nice to play some good golf now. So I quite happy. Anyway, fat wouldn’t be sexy. There is an idea that Christianity is not sexy. “Yeah. One time his helmet was knocked off his head and he went and speared the runner anyways, walked back to the sidelines covered in blood from a cut on his head with the most terrifying smile I’ve ever seen. He was the most brutal athlete I’ve ever met. Fear was literally just not in his vocabulary.

A statement from Apple Music via Pitchfork advised listeners to an eye out this weekend for more from Frank. The cycle of anticipation, speculation, and hope lives on. One could even say, at this point, that it endless.. Finding success means finding happiness for you, and that means living and growing, sometimes failing and deciding what rings true for you. Still, for anyone who feels as lost as I did in that moment of clarity with my wind turbine, my lasting piece of advice is to learn to trust. Trust that your experience and instincts will guide you through uncertain moments to exactly who and where you supposed to be..

In this paper I highlight the role of design and deformance in the production of literary history. While recent scholarship (Dunne and Raby 2013; Sterling 2009) has focused on the importance of speculation and conjecture for talking about the future, hardly any work has attended to asking “what if?” of the past to prototyping or experimenting with history, if you will. I then conclude with some of the benefits (including pedagogical benefits) of manipulating, altering, or deforming primary source materials to learn more about their forensic, cultural, and aesthetic features.

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